Peter Stutchbury Architecture

Vista House

 
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Vista House

Architect

Peter Stutchbury Architecture

Designed and Built

2012–2017

Design Architect

Peter Stutchbury

Engineers

Northrop

Landscaping

Michael Cooke

Location

Paynes Crossing
NSW 2325

Main Residence

3 bed, 1.5 bath, twin study, 3 car (carport)

Program

N facing living spaces placed around central courtyard, covered by a floating singular roof

Second Dwelling

'The Cabin' 1 Bed, 1 w/c

Photography

© Modern House
& Will Farge

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Introduction

Vista House, designed by Peter Stutchbury, hovers on a plateau overlooking a grassy valley and wetlands on a 120-acre ex-dairy property near Wollombi in the Lower Hunter Valley. Ringed by rolling hills and an escarpment, the off-grid house looks decidedly rural – long and low under a floating roof; constructed from corrugated iron and rammed earth; bunkering down but clearly in a position to take in its dramatic and ever-changing setting. It’s a house designed for year-round comfort, yet one that maximises an awareness of prevailing conditions – encouraging full engagement with the senses and the surrounding environment.

The only house by Peter Stutchbury Architecture to utilise the ARAMAX roof system. Other buildings that use it include two of PSA’s most lauded works: The Hangar and The Wool Shed.”

Modern House
 

The Design

To begin to understand the genesis of the Paynes Crossing House, you need to head across the valley from the main house, beyond the crepe myrtle trees to the cabin. The land was first bought as a simple “weekender” retreat for the current owners – and the family built this cabin by hand nearly thirty years ago, when they first bought the property from a family who had owned it since early colonial times. A simple structure – a small bunkroom that sleeps four, with a spot in the corner where a tiny vintage stove once stood. An outside kitchen with brick floor, a fireplace with a Sixties copper hood – a gift from a neighbour – and a worktop containing a sink with bucket underneath to catch the water. A separate and ingenious WC. A table and chairs set up under a tree whose boughs cascade down to form ‘walls’ and a sense of shelter; two chairs in the shade; a hammock strung between two trees; a short walk to the beach area of the brook that fronts the property. It was to this modest building that Peter Stutchbury first came to meet the family in 2011, and questioned why he needed to design anything at all for them – surely this was all anyone would want.

It was a happy place and one in which they felt totally at home, but they wanted something more comfortable; as far as a brief went, the main thing they knew is how important it was to retain the feeling of the cabin. They wanted a house that drew them outside, that contained outdoor ‘rooms’, one in which they were aware of the weather and moonlight and the path of the sun, and one that would be respectful of its surroundings and, in its own way, enhance them.

In Peter Stutchbury they found an architect who has an innate understanding and appreciation of the Australian landscape and our place within it; whose architecture responds to where it is on both a local and broader level and knows exactly what it needs to be, creating a balance and sense of harmony that becomes increasingly obvious the more time one is able to experience it.

The house that Peter Stutchbury designed at Paynes Crossing, and which was built between 2014 and 2016, is situated high on the land, with views of grassland and bush, of escarpments and rolling hills. It lies at the end of a driveway that crosses the boundary brook and meanders its way through the valley, past fruit trees and wetlands, skirting the bush. The house is constructed under a floating hangar-like ARAMAX roof – a roof that feels both aerodynamic and utilitarian, one that has appeared in two of PSA’s most lauded works: The Hangar and The Wool Shed. Here, it’s a roof that collects rainwater and sunlight, but also acts as a canopy – a broad brim – providing shelter and shade to the outdoor rooms beneath it.

Materials throughout are simple and honest – rammed earth, recycled bricks, blackbutt, terrazzo, corrugated iron and polycarbonate – taking inspiration from the family’s cabin and in keeping with its rural setting, but also chosen with sustainability in mind.

The house is made up of a series of linked rooms, courtyards and terraces, leading from one to the next, allowing a range of possibilities for navigation through the spaces. It is built around a landscaped, recycled brick-paved courtyard, essentially an outdoor living room – a space for socialising, relaxing, dining and play, and one that is ultimately adaptable. It is paved with recycled bricks and protected on three sides by the 600 mm–thick rammed earth walls of neighbouring rooms. The fourth wall opens up, via sliding solid timber barn doors, to the valley to the north-east. Those barn doors give the space maximum flexibility – completely closed, they offer a sense of security and anticipation; partly open, they frame a focused view of the land; fully open, they change the character of the courtyard, visually extending it to become part of the landscape but also, like theatre curtains, allowing its occupants to become an audience to the spectacle beyond, whether that be the weather or the clear nighttime sky.

To one side lies the engine room of the house – the concrete-floored, timber-beamed kitchen/family area, which accommodates a large dining table. On one long side, sliding glass doors to a sheltered brick-paved kitchen terrace and on the other – the working side with Smeg gas oven and cooktop – a bank of windows looking over the benchtop to the low-maintenance garden, which has been landscaped by Michael Cooke, and valley beyond. A large woodburning stove not only heats the room, but also provides hot water for the wall-mounted heaters elsewhere in the house. A w/c sits just inside the back door, which leads to a covered carport and working area.

 

The rest of the house is clustered around the outdoor living room – the back wall leads, via sliding blackbutt-framed doors, to an in-between space, a corridor that doubles as an office (suitable for two) with built-in timber workspace on either side. The space opens, again via sliding doors, to the back garden. Beside the office is a bedroom with built-ins; this, in turn, opens to the kitchen terrace.

On the other side of the office is another bedroom, again with built-ins, which leads to the bath terrace and beyond to the wet room. While the idea of bathing outdoors may seem rustic, the generous claw-toothed bath and nearby fruit trees, which sprinkle the terrace with blossom in springtime, elevate the concept to something far more extravagant.

From the bath terrace, it’s just a couple of steps to the snug, a room which works as anything from a living room to a bedroom/study. It’s bounded on two walls by floor-to-ceiling windows looking back towards the rest of the house in one direction and to the valley in the other. Suitable for all weathers and conditions, it’s particularly inviting in winter with its woodburning stove. At the far end of the house, beyond the snug and concealed behind timber doors is a capacious laundry, which looks out over the land.

Using the modest cabin as the springboard for design, Peter Stutchbury has morphed its positive attributes to create a home that is invigorating and yet comforting, flexible and grounded, open and enveloping, surprising and yet, above all, utterly appropriate.

 
 

I never tire of the view. You never know what delights the next day will bring...”

Current owner
 
 

Floor Plan

Download

PDF floorplan →

Specifications

Address

1977 & 1929 Paynes Crossing Road, Paynes Crossing NSW 2325

Specifications

3 bed, 1.5 bath, twin study, 3 car (carport)

Land

48.56 ha (119.85 ac)

Internal living area (approx.)

124 sqm

External living area (approx.)

162 sqm (terraces x3)

Total living area (approx.)

286 sqm (carport & store not inc.)

 

Environmental considerations and Heating & Cooling

Passive solar design

Built with natural low embodied energy materials

The property generates its own power and collects its own water

Sited so all principal spaces enjoy a northerly orientation

Floating ARAMAX roof to allow winter sun and protect from summer sun

Protected from the southerlies

Native vegetation and low water-use plantings

Gas hot water system

Heating: Wood-burning fire x2 and thermal mass

Cooling: Louvres, ceiling fans and A/C split system x2

10,000L partially submerged, first flush, holding tank, pumped up to 60,000L main tank & 10,000L secondary tank

 

For Sale by Private Treaty

Price Guide: On Request

View by Appointment

Modern House Estate Agents
National: 1300 814 768
International: +61 2 8014 5363
Email: viewings@modernhouse.co

We look forward to welcoming you to the house

Please call to arrange an appointment

 

Location

Set in the Lower Hunter and within the Cessnock City Council local government area, the property is located in the rolling green folds of the Wollombi Valley — quietly positioned for weekends away, yet connected to the wider Hunter.

Wollombi is just 10 minutes away for a pub lunch, provisions, and the historic village streetscape. From here, the landscape opens into a network of bushland, creeks and valley farmland—long valued for its reliable water, where the North and South Arms of Wollombi Brook meet with Yango Creek. The name “Wollombi” is widely understood as an Aboriginal term meaning “meeting place of the waters”.

The drive itself reads like a living history lesson: you follow the line of the Great North Road, the old convict-built road linking Sydney to the Hunter, where Wollombi became a stopping point for travellers moving between Wiseman’s Ferry, Singleton and Maitland.

Approximately 1.5 hours to Newcastle and the Central Coast, and around 2 hours from Sydney, the location offers a rare balance of genuine rural privacy and city access.

Above: aerial view of Wollombi (FB: visitwollombi)
Click to Discover Wollombi

A brief history

The area has an unusually legible history. The valley became a stopping place for travellers moving between Wiseman’s Ferry and the Hunter, on what is now the line of the convict-built Great North Road – constructed between 1826 and 1834 as an overland route linking Sydney to the Hunter. The wider district was settled by farmers moving north from the Hawkesbury River and the Macdonald Valley; in Paynes Crossing specifically, sources record first settlers arriving around 1825–1826, with much of Wollombi settled through the 1830s.

 
 
 

Architect

Peter Stutchbury has emerged as one of the leaders of a new generation of Australian architects. He is recognised for his innovative approach to sustainability and design. Time spent living in the desert country of western NSW during Peter’s formative years, allowed him to develop a deep appreciation of the logic behind Australian landscape and the sensitive nature of its sustainability. He aspires to elevating the status and respect that our wider environment deserves into the day-to-day culture of architectural disciplines.

As principal of Peter Stutchbury Architecture he has practiced independently since 1981 producing a wide variety of work, and his practice has won an unprecedented number of Australian Institute of Architects Awards for public, commercial and residential buildings.

In 2015, Peter Stutchbury was selected as the 2015 recipient of the Australian Institute of Architects’ highest honour, the Gold Medal and received an Honorary International Fellowship of the Royal Institute of British Architects in 2016.

Peter has taught both nationally and internationally – visiting professor at Tecnológico de Monterrey, Mexico where he held the Catedra (Chair) Luis Barragán and has been a tutor on McKay-Lyons Ghost Studio in Canada. Until recently, a Professor at The University of Newcastle, Australia and continues to be one of the distinguished ‘masters’ with Architecture Foundation Australia.

These engagements reflect Peter Stutchbury’s commitment to sharing his knowledge and experience with the next generation of architects and designers, and to promoting sustainable and culturally appropriate design practices.

Image: Damian Bennett

Key Construction Drawing

 
 

A key part of the brief was to have
a space for up to ten swags.”

Current owner
 
 

The Courtyard

In conversation with Peter Stutchbury, the key design move in the plan of Vista House has a simple narrative: everything begins with the courtyard – and with finding the right piece of ground to place it on.

Peter described how the initial instinct was to build on the flatter clearing where an original cabin sat, but that position only registered the “immediate” landscape. It didn’t capture the broader scope of the country. The turning point came the moment they walked up onto higher ground near the eastern boundary — roughly 2.3 metres above the 1-in-100-year flood level — where the site opens north, takes in the hills, and sits protected from the southerlies. From there, the house could properly command its vista.

The brief, he said, wasn’t for a sprawling open plan, but for something more specific: a room that reaches out into the landscape, yet can be shut off with a door. That requirement became the courtyard, conceived as an emotionally protective centre – he compared it to the feeling of sleeping outside in a swag, and wanting shelter without losing the sky. It was even sized, deliberately, to take up to ten swags.

From this central void, the plan is organised through Peter’s idea of positive and negative space: enclosed rooms are the “positive”, but the outdoor terraces and in-between places are equally important. Informal living areas are allowed to “prod” the courtyard, while more formal or private rooms sit back. Moving through the house is likened to the feeling of walking through a forest — spaces tighten, open, and shift in mood.

Overhead, the ARAMAX roof is positioned with a simple purpose: to collect water and to admit winter sun deep enough that the back wall — rammed earth and concrete — can act as thermal mass, quietly storing warmth. And then there are the two large sliding barn doors: open, they release the courtyard to the view; closed, they heighten your awareness of the big sky, held between wall line and the high, floating roof. Peter was adamant, too, that you should be able to step straight out from the courtyard into the landscape — no obvious threshold, no fussy deck — just an immediate, powerful transition from shelter to open country.

 

A walkabout the property

Being a rural property, there’s as much to discover beyond the house as within it. Just behind the main residence, raised kitchen garden beds and a productive orchard set the tone — herbs, vegetables, and a generous fig tree in season. The chicken run sits close by for fresh eggs, while fenced paddocks and grazing ground open out to the wider holding.

Down at the edge of Wollombi Brook, the property enjoys river frontage with access rights — a place for swimming, canoeing, lazy picnics, and long afternoons on the river beach.

The working infrastructure is substantial but neatly out of the way: major rainwater storage, solar with battery support and backup power, plus a large machinery shed (approx. 10m × 8m) with secure storage rooms for tools, kit and weekend projects. And then there’s the cabin — a separate, tucked-away retreat with covered cooking, a copper fireplace, a single bedroom, and an outdoor WC: simple, rugged, and so much fun.

Further Features

+ 600m river frontage to Wollombi Brook with access rights
+ Rainwater harvesting: 10,000L holding tank, 60,000L main tank
+ Solar, 18-panel photovoltaic system on fixed frame
+ Supported by Himoinsa HYW-13M5, 16.4 hp 240V output diesel generator
+ Raised vegetable garden beds, settler’s orchard, citrus orchard, chicken run
+ Fenced paddock, grazing land (to add)
+ Machinery shed (12m x 8m), secure store rooms
+ Tractor & slasher (separate sale)
+ The Cabin, covered cooking & copper fireplace, single bedroom, outdoor w/c
+ Potential to add further studio/s

 
 

For Sale by Private Treaty

Price Guide: On request

View by Appointment

Modern House Estate Agents
National: 1300 814 768
International: +61 2 8014 5363
Email: viewings@modernhouse.co

We look forward to welcoming you to the house

Please call to arrange an appointment

 

Vista House in name and spirit – an expansive country home where siting, orientation, build quality, design and privacy have been carefully considered, all anchored by the view.”

Modern House